The Kingdom
Movie Review: The Kingdom
Director: Michael Tuviera
Genre: Action, Family Drama
Based on: Original Story
Overview
“The Kingdom” is a forthcoming Philippine action family drama that envisions an alternate history where the Philippine archipelago remained uncolonized, preserving its indigenous monarchy. Directed by Michael Tuviera, the film features an ensemble cast led by Vic Sotto and Piolo Pascual, marking Sotto’s return to the Metro Manila Film Festival (MMFF) after a five-year hiatus. This film represents a significant departure from Sotto’s comedic repertoire, offering audiences a fresh perspective on his acting capabilities.
Storyline
Set in the contemporary era within the Kingdom of Kalayaan, the narrative explores the complexities of a royal family grappling with succession and societal challenges. Lakan Makisig, portrayed by Vic Sotto, is the ruler faced with the dilemma of choosing an heir among his three children: Magat Bagwis, known for his temper; Dayang Matimyas, whose forbidden love entangles her in political conflict; and Dayang Lualhati. The plot delves into themes of leadership, tradition, and personal sacrifice, set against the backdrop of a society that has evolved independently from colonial influences.
Performances
Vic Sotto delivers a compelling performance as Lakan Makisig, showcasing his versatility beyond comedy. His portrayal of a benevolent yet conflicted monarch adds depth to the character. Piolo Pascual embodies a Tinatwa (banished) farmer, the son of a disgraced Kalasag Royal Guard, bringing a nuanced portrayal of a man challenging societal injustices. The chemistry between Sotto and Pascual enhances the film’s dynamic, supported by strong performances from Cristine Reyes, Sue Ramirez, and Sid Lucero, who add layers to the narrative through their respective roles.
Cinematography and Visuals
The film’s visual narrative is enriched by meticulous production design that authentically represents an uncolonized Philippine society. Cinematographer Shayne Sarte captures the lush landscapes and intricate set pieces, immersing viewers in the Kingdom of Kalayaan. Director Michael Tuviera’s stylistic choices, including the use of traditional Filipino martial arts and symbolic body art, enhance the storytelling, offering a visual feast that complements the film’s thematic depth.
Music and Score
Jessie Q. Lasaten’s musical score aligns seamlessly with the film’s tone, incorporating indigenous instruments and melodies that reflect the cultural setting. The soundtrack elevates key moments, reinforcing the emotional and narrative arcs, and immerses the audience in the film’s unique world.
Themes
“The Kingdom” explores themes of leadership, heritage, and societal structure, prompting reflection on the Philippines’ historical trajectory. It examines the responsibilities of power, the struggle between tradition and progress, and the individual’s role within a hierarchical society. The film invites audiences to contemplate the cultural identity and the impact of historical events on contemporary society.
Final Thoughts
“The Kingdom” stands as a bold cinematic endeavor that challenges traditional genre boundaries in Philippine cinema. With strong performances, particularly from Vic Sotto in an uncharacteristic dramatic role, and Piolo Pascual’s compelling portrayal, the film offers a thought-provoking narrative set in a richly imagined world. Its exploration of alternative history and cultural identity makes it a significant addition to the MMFF lineup.
Rating: ★★★★☆ (4/5)
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